Puppeteer from the Past

It is almost thirty years since Vitali abandoned conventional reportage. His back catalogue remains locked away and he hides the key. However occasional glimpses are beginning to emerge of a remarkable early chapter in his career that maps a cataclysmic period in Italy’s modern history. What makes the work so poignant is the contrast with his later work in which he takes back control of the photographic concept to emerge less as the journalistic puppet and more as the consummate puppeteer.

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Roger Hargreaves

Giacometti on the Beach

Massimo Vitali’s most recent images are concerned with refugees. – People who find themselves on mediterranean beaches for reasons very different from the ones that lead the holiday makers from northern European cities there.

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Tobia Bezzola