From Dance Halls to Discos, Pt. 1

I called the managers of the discos, and that wasn’t easy either. They’d keep their phones on the hook only half an hour a day, and I’d try to explain: “I’m doing this project on discos and I’d like to come and take some photos, but we’re going to use this big tripod, then the flash…”, and they would say: “Well… come, ask for the electrician, and get together with him…” They didn’t even ask why. It was totally crazy. Usually, we’d arrive at around four or five with the first electricians. I’d set up eight or nine flashed – 3,000 kilojoules each – I’d mount the tripod, then wait for something good to happen.

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Gabriele Basilico, Massimo Vitali, Giovanna Calvenzi

A Chat on Photography

In this video, I’m talking with Enrico Ratto about my work and photography in general. I talk about my obsessions, impostors, pictures that I hate and much more.

Sorry, the interview is in Italian! If you don’t understand the language, you will need to wait until next week for a new post.

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Massimo Vitali & Enrico Ratto

A Conversation with Massimo Vitali

When you look at a classical painting, you see that the canvas is filled with various levels from ordinary people and soldiers to kings, angels and then, finally, God, with a few little pieces of landscape here and there. My idea, having grown up with this imprint, was to develop photos with very little empty spaces.

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Joerg Colberg