In the making of "Short Stories", a backstage chronicle of the days spent at Steidl Ville to follow the publication of my forthcoming book.

Is it not proof that our tourists are being treated more and more like a filler population of empty cities which lack vitality?

Conviviality is something I defend at work - the best conversation happens over good food. People who eat together stick together.
From my trip archive to Colorzenith.

"What we need is absolute proof of the destruction of the original print (a photographic proof accompanied by a small piece of the center of the picture) or the returning of the entire damaged print, whichever is more convenient for you."
- Guarantee

Days of shooting in the marble quarries up on the Apuane Alps for Wallpaper* Magazine.

If you want to know when my uncanny attraction for beaches began, watch this video-interview!

I started to print the beaches lighter because I didn’t like the shadows: with film photography, the shadows are dark and ugly.

Yet rather than representing different instants, successively, they are merely suggested and embellished by the spectator’s imagination. In fact, the spectator is almost beckoned into the picture itself.

Marseille isn’t a city for tourists. There’s nothing to see. Its beauty cannot be photographed.

The later you go into the day, the less tension you have between the people.