Dreaming Cefalù

Some weeks ago I received an email from a young Chinese artist. I was impressed by the way my work touched him and by his imagination.

LV Zhe

Were You a Jamaican? Pt. 2

I started taking pictures from a tripod using a large format camera, an 8 x 10 Deardorff. But it was a disaster… the photos were always out of focus. And so I began to plan and imagine them…

Oliviero Toscani

Were You a Jamaican? Pt. 1

Oliviero Toscani: So, here we are, tell me about yourself.

Oliviero Toscani

Big in Japan

I have a special memory about Japan as my mother lived in Japan after the war. When I was 6 or 7 years old, I remember my mother sending me rice crackled with seaweed in a big can.

Massimo Vitali & Kyoko Kasuya


When you overshoot, you lose your balance.

Massimo Vitali & Kyoko Kasuya

Jeff Wall Drives Me Crazy

Email chain about Jeff Wall. 4x5 or 8x10? This is the question.

Massimo Vitali

Same Beach, Same Sea

There’s nothing more boring than a “perfect” tropical beach and even now I try to stay away from them.

Massimo Vitali


In conversation with Silvia Camporesi about privacy rules and location permits.
Sorry, only for Italian speakers!

Massimo Vitali & Silvia Camporesi

Pure Chance?

Joerg Colberg: "So pure chance – getting one of your cameras stolen and then being left with another one – does play a role for a photographer, maybe even more often than many people realize, doesn’t it?"

Joerg Colberg

Step Back

I was interviewed by Tobia Bezzola, Director of MASI in Lugano at Photo London in 2016. Previously, Bezzola had long and distinguished career as a curator of art of the past and present, including photography at the Kunsthaus in Zurich and the Folkwang Museum, Essen.
In this excerpt, we talked about my distance from photojournalism and my artistic process.

Massimo Vitali & Tobia Bezzola